I am a sucker for any book that promises a glimpse into “the writer’s life”—books that, in discussing the daily practices of authors, will (I hope) offer a clear and well-trodden path to I can follow to literary accomplishment.
There are plenty of books that offer this big-picture, life-of-the-writer perspective. I’m often dipping in and out of The Writer’s Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from The Paris Review Interviews. Each section opens with a question—“When Did You Begin Writing?,” “How Important Is Plot?,” “Are You Friends with Other Writers?”—and contains brief responses from a variety of writers. Louise DeSalvo’s The Art of Slow Writing: Reflections on Time, Craft, and Creativity, devotes chapters to the value of writing partners, of keeping a journal, and of finding one’s own writing rhythm, interspersed with examples drawn from the writing lives of Virginia Woolf, Stephen King, and many others.
And then there’s Deborah Levy’s The Cost of Living: A Working Autobiography, a book not, at first glance, about how to write—and yet entirely about writing. In her early 50s, Levy is divorced, living in a shabby apartment with her daughters. She writes about lugging a space heater into the shed where she writes. She describes biking home from the grocery store with a chicken tied to the seat—only for the chicken to fall off and get run over by a car (she rescues it, brings it home, and cooks it anyway). She ruminates on the dissolution of her marriage, and the death of her mother, and she worries about paying the bills.
“I no longer had a study at the most professionally busy time of my life. I wrote where I could and concentrated on making a home for my daughters. . . . to be making this kind of home, a space for a mother and her daughters, was so hard and humbling, profound and interesting, that to my surprise I found I could work very well in the chaos of time. I was thinking clearly, lucidly; the move up the hill and the new situation had freed something that had been trapped and stifled. I became physically strong at fifty, just as my bones were supposed to be losing their strength. I had energy because I had no choice but to have energy. I had to write to support my children and I had to do all the heavy lifting. Freedom is never free. Anyone who has struggled to be free knows how much it costs.”
Writing isn’t a part of life. It is a life. Levy is a woman, a mother, an ex-wife, a friend. She befriends an elderly neighbor, she reminisces about Greece, she rides a bike up a hill in London. She is cold, she is frustrated, she is elated. And always, she is a writer.
The Cost of Living doesn’t offer any tips or schedules. It offers a single, ever-shifting perspective on a specific life of writing. It reminds me that being a writer isn’t about habits or word counts; it’s in the living, and it’s in the writing.
Do you have a favorite book about the writing life? Comment below with the title for a chance to win a free copy of The Cost of Living!